Object Listing

Image of an extremely tall man in trousers and waistcoat, with top hat and stage make-up?, holding a seated small boy in three piece suit on his left hand. Circus tent visible in the background- presumed circus setting as part of the side show, common to circuses where 'oddities' were shown, i.e. a freak show (sic)

Image of an small person, female, in belted trench coat and lace-up shoes, standing next to a large dog for height comparison. They appear to be on the street, and there is also a woman standing to the far right looking down at the scene. Presumed to be related to a circus setting as part of the side show, common to circuses where 'oddities' were shown, i.e. a freak show (sic)

Print/ work on paper

Graphic pop art work, in the form of the cartoon style popular at the time with the Ben-Day dots, text balloon and  onomatopoeic gun sound sound shown (CRAK!) Depicts a woman in a beret, as possibly a French Resistance member during the Second World War. Inspired by a story written by Bob Haney and illustrated by Jack Abel in Star Spangled War Stories #102 (Apr./May 1962). Text translated is ' Now friends, for France!'

Print/ work on paper

Print/work on paper

Depicts man in flat cap just off centre right of the image, standing under wooden structures with ladders and steps all around, and panning instrument on the ground next to him. Visible through a gap in the structures is a seated man, as well as ships and the river, presumed to be the Thames.

Print/work on paper

Depicts a group of people around a fire, perhaps as part of a ritual dance or meeting. This woodcut depicts Tahitian men and women performing the traditional dance known as 'upa 'upa around a bonfire at night. Deemed pagan and obscene due to its sexual suggestiveness, the ritual was banned by Catholic and Protestant missionaries on the island. However, Tahitians continued to perform the ritual in secret, in defiance of colonial authority. Gauguin may have been witness to these dances while in Polynesia. Gauguin also spent a large part of his working life in Tahiti, and lived on the island for 10 years.

Print /work on paper

Print /work on paper

Print/ work on paper

Print/ work on paper

Depicts two ladies in exhibition area of the Louvre- objects in cases. One lady in period clothing seated at left, reading a pamphlet. Standing lady in period dress and with up style hairdo, leaning on umbrella/cane, facing showcases. This work with the view of Mary Cassatt and her sister in the galleries of the Musée du Louvre is among the most technically complex of Degas' prints.

Print/work on paper

Print/ work on paper

Print/ work on paper

Seated woman in dress and corset, combing her hair and holding brushed hair in left hand. Some furniture and a low, round bowl visible in the background. Very simple, largely undetailed print

Woman with back facing viewer, in long flowing skirt, and up-do, doing up her corset. Appears to be a bedroom or lounge area, and there is a man seated to her right. Patterned covering on either the bed or couch, and there is also a framed picture of two people hanging to the left of the woman. Sumptuous, fluffy carpet/floor covering. One from a portfolio of twelve lithographs, protraying women Lautrec knew firsthand and the milieu in which they lived and worked. This series (Elles) of carefully observed brothel scenes thwarts the expectation of the titillating or the tawdry, instead presenting quiet moments of mundane intimacy

Bronze sculpture of woman in closed standing pose, with slight twist to body. Rodin did a series of works similar or alike this, in different sizes and material.

Abstract sculpture made from acuum- formed sprayed plexiglass, depicting the geometric spiralling entrance to the Guggenheim Gallery in New York.

shell food waste

shell food waste

Undecorated body sherd

Undecorated body sherd

Undecorated body sherd

Undecorated body sherd

Undecorated body sherd

Undecorated body sherd

Undecorated body sherd